tippy('#footnote_plugin_tooltip_1524_1_40', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_40').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); while emphasizing cultural texts and discourses. Instead, CCM performers and fans came together around a common commitment to reclaim the devil's music for God. This movement was popular among (though not exclusive to) non-denominational evangelical megachurches. There is an associationalas opposed to primarily musicallogic to this appeal that tracks with broader "patterns of cultural experience and affiliation." The most prominent, From Arkansas With Love, is full of original material, almost all written by Joyce Martin. The siblings all lived most of their formative years in Arkansas, where they learned to sing and with which their comments in public indicate a strong identification. All Rights Reserved. tippy('#footnote_plugin_tooltip_1524_1_19', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_19').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The emergence of The Martins as a national touring group relied strategically on their Arkansas roots. tippy('#footnote_plugin_tooltip_1524_1_48', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_48').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); What continues to distinguish The Martins is their acoustic style full of complex harmonies, modulations, and voicings that reflect influences of country, bluegrass, folk, old-time, choral, black gospel, and vocal jazz styles and arrangements. Actress. See Shearon, email to H-Southern Music Network mailing list, March 27, 2009. tippy('#footnote_plugin_tooltip_1524_1_12', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_12').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Of course, race is never far from any discussion of southern cultures, but it is also true that, in southern gospel, "overmuch emphasis on black-white polarities diminishes our understanding of cultural dynamics submerged beneath the surface of the music. tippy('#footnote_plugin_tooltip_1524_1_8', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_8').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); So it is tempting to assume that the emergence of "southern" to describe the music since the 1960s matters only as an unsubtle substitute for the more racially antagonistic "white." . The camera cuts back and forth between The Martins and Gaither, occasionally taking in the four of them in a wide shot. Lord, is this my time. The Gaither interview invites viewers to imagine them as representing a set of hill-country valuesa love of hunting, closeness to nature, self-sufficiency, and cultural isolationthat Blevins argues have over the course of two centuries come to stand in for all (white) Arkansans.58The cultural difference between the Ozark/Ouachita and Mississippi Delta regions of Arkansas is aptly captured by/in two recent films. Averyfineline.com, September 24, 2012, accessed October 1, 2013, http://averyfineline.com/2012/09/24/slouching-toward-pigeon-forge/. Moreton, Bethany. Stephen Marini has provided the most sustained interpretive examination of bluegrass families in southern gospel: Sacred Song in America: Religion, Music, and Public Culture (UrbanaChampaign: University of Illinois Press, 2003), 296320. As Stephen Shearon has noted, both white and black gospel have "liked aspects of what the other was doing" ever since blacks and whites began singing sacred music near one another in North America. For a recording of the set piece associated with Gerald Wolfe's time with the Dumplin' Valley Boys, see This is Your Life George Younce, directed by Charlie Waller (n.d., Louisville, KY: National Quartet Convention), DVD. Pamela Fox has noted that "while academia has for the most part abandoned the authentic as any kind of meaningful analytic category," the vernacular music of southern, white, rustic life and experience has "tended to preserve it. He was very busy and was getting ready for the next day's video. The Martins singand their fans enjoya fairly broad range of musical styles and an innovative pastiche of old and new that is often indistinguishable from some of the very CCM sounds southern gospel has long denounced as immoral and worldly. . Joyce Rogers. Another person named Martin P. Joyce was a judge who passed away in October of 2013.. May 19, 1970) lives in Clive, Iowa with his wife Dara Makohoniuk-Martin and their youngest three of six children, including twin boys, one of which has cerebral palsy. "43Harrison, Then Sings My Soul, 124. Photograph by Judy Baxter. Grammy.com, July 3, 2013, accessed October 1, 2013, http://www.grammy.com/blogs/andy-griffith-dies. Bob Joyce died December 10, 1981, in San Francisco, CA, USA. "Fundamentalism" indicates evangelicals for whom militancy in resistance to liberalism is the defining feature of lived religion.22George Marsden, Understanding Fundamentalism and Evangelicalism (Grand Rapids: Eerdmans, 1991), 15. Several prominent bluegrass and old time families have been mainstays of southern gospel since family acts began to emerge in the 1930s and 1940s: most prominently, The Lewis Family and The Chuck Wagon Gang, and later the Primitive Quartet, The Easters, and The Isaacs. The peer reviewers for Southern Spaces provided generous feedback that sharpened my thinking and refined the essay's argument considerably. tippy('#footnote_plugin_tooltip_1524_1_26', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_26').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); From this traditionalist perspective, CCM's project of reclaiming the devil's music for the Lord amounts to little more than evangelical apologia set to music in "Jesus is my boyfriend" songs: notionally Christian tunes that overlay the stylistic trends and tastes of secular music with lyrics about a love beyond all measure, directed toward a pronominally vague beloved who could be divine, or more sublunary. For more on The Martins's biography, see the following section and note 41. Researched in the 1990s and published in 2002. We sang "He Leadeth Me" a cappella for Gloria Gaither, in the ladies bathroom, in Anderson, Ind. The southern gospel tradition carries on primarily through the cultivation of a musical sensibility connected to an underlying set of cultural affiliations. Except [we didn't] know where to go, all the rooms were locked, too much going on in the auditorium, so Mark suggests we go into the bathroom. Black gospel draws heavily on southern lifeways, many of its biggest stars have been from the South, and it has always found a good portion of its audience there. Music publishers of seven-shape notational gospel music and the convention singing tradition to which these publishers catered were familiar with the term for much of the twentieth century. But so too are there imaginaries rooted in the history, mores, and culture of more particular geographies requiring study to understand their cultural formations and uses. She released her . The songs are structurally derivative and lyrically conventional, but this music is interesting for what it suggests about The Martins's cultural temperament and expressive style, best described in these early years as one of rustic post-teen southern evangelical angsty spiritual wonderment. (2004) as Soundtrack Skip to My Lou (1941) Joyce Martin Sanders Weight Loss In essence, we are an agricultural area. Copyright 2023 TBN - Trinity Broadcasting Network. At the end of the nineteenth century and into the first three decades of the twentieth century, southern white gospel was dominated by convention singings that relied on the regular release of small octavo shape-note songbooks such as Crowning Day. Is Joyce Martin gospel singer - The Martins a Sanders or a McCollough? In cultural geography, "sense of place" refers to the feelings and emotions a place evokes and that help constitute it.14Tim Cresswell, Place: A Short Introduction (London: Wiley-Blackwell, 2004), 169. tippy('#footnote_plugin_tooltip_1524_1_14', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_14').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); More than just feelings or emotions, such sense of place encompasses perceptions, assumptions, and habits of thought and behavior of people who are part of a place. The hottest acts in Christian music appropriated the musical conventions and performance styles of rock, pop, adult contemporary, heavy metal, and later, jazz, R&B, rap, hip-hop, and punk. Joyce: We went to Indianapolis [in 1992] with Michael English and Mark Lowry [of the Gaither Vocal Band and the Gaithers' inner circle]. Mark Noll has described this process as one focused on the formation of a parallel but separate evangelical culture meant to preserve pietistic thought and action perceived to be under attack and threat of extinction by secularization. See David Fillingim, "A Flight From Liminality: 'Home' in Country and Gospel Music," Studies in Popular Culture 20, no. Arkansas ranks forty-fifth in median income in the United States and, by official self-description since the 1970s, is culturally "the natural state." This transformation left untouched only the Ozarks and Ouachita to the north and west. . Indeed, specific aspects of a performer's biography usually only come into play for southern gospel when an instance of individual characteristics, crisis, or great fortune serve to point audiences toward notionally transcendent truths of fundamentalist theology. Rather, I aim to map a specific hot spot within the psychosocial terrain of contemporary professional southern gospel as an instance of a broader phenomenon that could be explored in US southern and rural imaginaries. The Martins - American Profile The music remains popular among white evangelicals and many African American Protestants, though its market sharelike that of most sectors of the music industryhas declined considerably.21Sales of "Christian/Gospel" (which consists overwhelmingly of CCM and black gospel music, but also includes some southern gospel) reached a high point in 1998, totaling $836 million; in 2012, total sales in the same category were $24.2 million. Dochuk, Darren. In addition, "many of the characteristics and stereotypes considered [representative of Arkansas as a whole]," Blevins concludes, are "extensions of broader regional and cultural images" applied by others to Arkansans.57Blevins, Arkansas/Arkansaw, 39, 9. tippy('#footnote_plugin_tooltip_1524_1_57', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_57').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Arkansas is not unique in being treated as the home of the benighted white southerner, redneck, or hillbilly, and the Arkansas imaginary is but one sort of white, working class, rurality. The Martins's music signals that what makes this trio a southern gospel group is its commitment to a worldview and way of life that is place-based, class-bound, and consistent with values and assumptions that prevail in white, fundamentalist evangelicalism. The notion of The Martins's music as culturally transcendentnot despite but because of its particularized rusticityis reinforced in another clip from The Best of The Martins in which the trio sings on the 1998 Hawaiian Homecoming. Natural Acts: Gender, Race, and Rusticity in Country Music. [5] Jonathan Martin (b. Still, the cultivation and creation of twentieth-century commercial black gospel's golden age (19451960) was largely rooted in Chicago, Philadelphia, and other urban centers in the Midwest and Northeast where many black southerners moved during the Great Migration. "I've many thoughts about the show tonight," she tweeted, "most of which are probably better left inside my head. These distortions and elisions are at work in the Gaither video biography of The Martins that points to aspects of the Arkansas imaginary distinct from generalized assumptions about white trash and hillbillies. Courtesy of Douglas Harrison. (Jennifer Jones, "Natalie Grant Responds after Leaving Grammys Early," Christianitytoday.com, January 29, 2014, accessed January 31, 2014, http://www.christiantoday.com/article/mass.wedding.at. The. Join the. In 2013, the Doves moved back to Nashville, not to the Grand Ole Opry House but to the auditorium of a small religious college in the suburbs (Dave Paulson, "Dove Awards Fly Back to Nashville," USAToday.com, October 14, 2013, accessed January 28, 2014, http://www.usatoday.com/story/life/music/2013/10/14/dove-awards-nashville/2984327/). The history and role of bluegrass, old-time, and mountain musics, particularly songs with pietistic lyrics that have found a home in southern gospel, is understudied. See "Music Album Sales in the United States in 2012, by Genre,"Statistica.com, 2012, accessed January 28, 2014, http://www.statista.com/statistics/188910/us-music-album-sales-by-genre-2010/; Natalie Gillespie, "Gospel Music Sees Record-Setting RIAA Numbers," CCM Update, March 29, 1999; and Lindy Warren, "Top 15 Impact-Makers in 1997," CCM Update, December 22, 1997. Biography Mini Bio (1) Joyce Martin-Sanders is known for Gaither's Pond (1997). Heilbut notes that this vibrancy is driven by the rise of name-it-and-claim-it prosperity gospel in the black church, which is intensely homophobic and discourages its members from thinking in "broad sociological" categories in favor of a self-aggrandizing theology that links spiritual well-being with personal wealth (See "The Gospel Church and the Ruining of Gay Lives: An Interview with Anthony Heilbut," interview by Douglas Harrison, ReligionDispatches.com, July 30, 2013, accessed January 28, 2014, http://www.religiondispatches.org/books/culture/6221/the_gospel_church_and_the_ruining_of_gay_lives%3 A_an_interview_with_anthony_heilbut/; and Heilbut, The Fan Who Knew Too Much: Aretha Franklin, the Rise of the Soap Opera, Children of the Gospel Church, and Other Meditations [New York: Knopf, 2012]). "Mom and Dad both instilled that in us that if you had a talent to sing, you should get up. What is the birth name of Marty Joyce? For "homecoming" as a practice and concept in southern fundamentalism, see Jeff Todd Titon, Powerhouse for God: Speech, Chant, and Song in Appalachian Baptist Church (Austin: University of Texas Press, 1988). More at IMDbPro Contact Info: View agent, publicist, legal on IMDbPro. Harrison, Douglas. Why did Joyce Martin of the Martins divorce? - Answers Finally, I'm grateful to The Martins and so many other southern gospel performers for making music that has held me in thrall and demanded to be taken seriously. Taylor, Charles. "38Pamela Fox, Natural Acts: Gender, Race, and Rusticity in Country Music (Ann Arbor: University of Michigan Press, 2009), 7. However, a 1993 appearance on the Gaither Homecoming series helped transform The Martins from an avocational regional trio into a professional act with a national following in fundamentalist Christian entertainment. Ann Arbor: University of Michigan Press, 2009. Again: Continuing the Debate between Donald Dayton and George Marsden," in The Continued Relevance of Wesleyan Theology: Essays in Honor of Laurence Wood, ed. The Arkansas imaginary explored here is not a totalizing way of understanding the vernacular music of white fundamentalists. Gaither's questions establish Jonathan's lifelong love of "huntin'" as linked to his Arkansas adolescence. It is difficult to lend much credence to this account unless Gloria Gaither's opinion and judgment plays a much more determinative role in the Gaither image and Homecoming productions than is generally allowed or assumed. Premillenialists espouse a literalist interpretation of scripture that foresees the imminent return of Christ to earth. In its resurgence, one hears from the gospel stage and in other acts of self-representation an intensification of emphasis on social resentment and cultural grievance. By leveraging anxieties about cultural authenticity and relevance roiling conservative evangelical and fundamentalist culture, Homecoming creates "a musical screen onto which people from a wide range of Christian cultural traditions within the American middle class can project their own religious concerns and spiritual aspirations. For the past forty years or so, "southern gospel" has named a professional musical style associated with white fundamentalists and evangelicals in the US South.1For an extended discussion of "southern gospel" see, Douglas Harrison, Then Sings My Soul: The Culture of Southern Gospel Music (UrbanaChampaign: University of Illinois Press, 2012), 25, 80109. Stowe, David. tippy('#footnote_plugin_tooltip_1524_1_29', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_29').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); But the development of professional gospel resonates most powerfully as part of white fundamentalist evangelical withdrawal from mainstream secular society over the long twentieth century. Mike Joyce was born February 12, 1941, in Detroit, MI, USA. Movies. Their mix of rustic piety and sophisticated harmonizing (in The Best of video, much is made of their performance with the Homecoming Friends at Carnegie Hall) gives audiences powerful, palpable reassurance that despite shifts in taste, technology, and demographics of Christian entertainment during the past three decades, southern gospel music and values are thriving and persevering in the youthful artistry and rustic ethos of normatively white, middle class, evangelical traditionalism embodied in artists such as The Martins. Consequently, much of conservative Christian culture challenged secular narratives and norms. "45Harrison, Then Sings My Soul, 3. Goff, On backwoods virtuosi, see Harrison, "Grace to Catch a Falling Soul. [4] Judy Martin Hess (b. tippy('#footnote_plugin_tooltip_1524_1_31', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_31').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); It is in this tradition of pietistic, blood-bought, soul-saving, life-giving harmony of the one true way to Christ that The Martins were raised and trained.32For more on The Martins's biography, see the following section and note 41. tippy('#footnote_plugin_tooltip_1524_1_32', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_32').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Their success in the late 1980s and early 1990s coincided with the resurgence of cultural separatism that has come to dominate southern gospel discourse.33This element of cultural separatism has reemerged in the past generation within southern gospel. The Martins - Wikipedia See Harrison. Yet it is a mistake to treat southern gospel as wholly synonymous with white gospel. The Martins - Infogalactic: the planetary knowledge core tippy('#footnote_plugin_tooltip_1524_1_44', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_44').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); This performance is important not just because the group's knack for reimagining southern gospel harmonies in dazzling vocal arabesques led in short order to celebrity. Randall Balmer, My Eyes of Have Seen the Glory: A Journey Into the Evangelical Subculture in America (New York: Oxford University Press, 2006); and Donald Dayton and Robert Johnson, eds., The Variety of Evangelicalism, (Knoxville: University of Tennessee Press, 2001). . Premillenialists espouse a literalist interpretation of scripture that foresees the imminent return of Christ to earth. Fayetteville: University of Arkansas Press, 2009. John F. Mooney, review of The Best of The Martins, directed by Bill Gaither, Amazon.com, July 29, 2013, accessed October 15, 2013, http://www.amazon.com/review/R399G8O3TFUQHH/. Marquee ensemble singers who once would have driven a group's fame and success today leave ensemble work and go solo to cut costs and stay viable.35Examples of changes and shifts within professional southern gospel since 1990 include the disbanding of numerous groups as well as the retirements and deaths of many of the mid-twentieth century singers who anchored the genre's golden era. Yes she is a gospel singer and her last name is now sanders Is Evangelist Joyce Rogers married? Lower compositional sophistication, more uneven production quality, and rougher cuts by commercial standardsall defining features of the southern gospel sound of the past twenty yearscan function for many evangelicals and fundamentalists as indices of a more real music and catalysts for a more authentic experience of the religious self. Jonathan Martin and his wife, Dara, live in Des Moines with their six children (Craig Harris, ", In the 1990s and early 2000s, Gaither Homecoming was popular on the now-defunct TNN cable channel. Claiming a home in southern gospel grounds The Martins in an imagined identity that they in turn hold out for fans seeking models of stability and reassurance in an extended moment of great cultural change and instability for white evangelical fundamentalist religious culture. Directed by Debra Granik. It emphasizes the unfolding of God's dealings with humanity in phases or eras ("dispensations"). Jennifer Lena has exhorted scholars of music culture to deemphasize sounds and instead examine "social structures and collective actions. The Martins Biography, Songs, & Albums | AllMusic 1 (1997): 7582; and Harrison, "Grace To Catch a Falling Soul." Singing and songwriting is what Joyce does. July 30, 2013. http://www.religiondispatches.org/books/culture/6221/the_gospel_ church_and_the_ruining_of_gay_lives__an_interview_with_anthony_heilbut/. See Shearon et al., "Gospel Music," and Heilbut, The Gospel Sound: Good News in Bad Times (Milwaukee, WI: Hal Leonard, 2001 [1979]) and Harrison, "Why Southern Gospel Music Matters," Religion and American Culture 18, no. Such work is as welcome as it is needed. "I've many thoughts about the show tonight," she tweeted, "most of which are probably better left inside my head. tippy('#footnote_plugin_tooltip_1524_1_45', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_45').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); In this light, and flowing from this initial performance of "He Leadeth Me," The Martins established a reputation as the pure-hearted "songbirds" of southern gospel, to borrow a description that Bill Gaither offers on a Homecoming video, The Best of the Martins. 'Cause I've waited my whole life. This movement was popular among (though not exclusive to) non-denominational evangelical megachurches. Judy Martin Hess lives in Columbus, Georgia with her husband Jake Hess Jr. and their four children. Who is Joyce Martin's first husband? - Answers Her story of brokenness and restoration encourages thousands on social media and from the stage. Even though I do not have a better name for it, I remain deeply ambivalent about "northern urban gospel." These bonds seem heavily predicated on shared assumptions that performers' professional legitimacy and artistic authenticity arise from a God-given prodigiousness untainted by the artifice of formal education or the contrivance of worldliness, which in southern gospel culture is associated with urban(e) or cosmopolitan ways of life. She tells Bill, "you have to hear these kids sing." Roger Bennett played piano for the Cathedral Quartet for nearly twenty years, and throughout his career, he was introduced as a child prodigy at the keyboard from Strawberry, Arkansas. tippy('#footnote_plugin_tooltip_1524_1_17', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_17').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Such an approach asks how southern gospel artists (most from beyond the state) use Arkansas's status as an imaginative resource to make sense of themselves and their music in late twentieth and early twenty-first century fundamentalist Protestantism.18I have in mind the period in American conservative and fundamentalist evangelicalism inaugurated by Richard Nixon's conjuring of the "silent majority" of cultural traditionalists who opposed the advance of liberal policies and social practices in the US. What started in Hawaii more than a decade earlier ends in Studio A in Andersonville, Indiana, with Gaither presiding as witness to The Martins's musical authenticityby sea, in the studio, (notionally) on command, at home among southern gospel's Homecoming Friends or in faraway lands. GMA has drastically shifted its outreach and marketing emphasis toward black gospel artists and groups, going so far in 2011 as to move the Dove Awards from Nashville's Grand Ole Opry to Atlanta, the unofficial capital of black gospel music. The Willow Creek megachurch, under the leadership of Bill Hybels, is the most prominent example of a seeker-sensitive church. Spring Hill, 2005, CMD 1807. . tippy('#footnote_plugin_tooltip_1524_1_54', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_54').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); connecting their identities, the group's history, and their Arkansas roots with the force of southern gospel music. In the late 1980s and early 1990s, The Martins performed mostly in the southern half of the Mississippi Delta region and recorded self-financed albums. Start the wiki Similar Artists Charlotte Ritchie 703 listeners Bill & Gloria Gaither 10,674 listeners The Isaacs 11,665 listeners Show more Dayton, The Theological Roots of Pentecostalism (Grand Rapids: Francis Asbury Press, 1987); and Dodrill, "Evangelicalism Examined . Southern gospel's negotiation of them has often manifested in overt racism or a way of thinking, talking, and singing that renders whiteness falsely normative. This essay is interested primarily with professional southern gospel, which descends from convention singing but has been distinct from it since the 1930s and 1940s. At face value, much of The Martins's stylistically hybridized and contemporary music would seem to commit many of the very musical sins that southern gospel culture has long cited as justification for disparaging most other major forms of Christian music entertainment (except, perhaps, bluegrass).47The history and role of bluegrass, old-time, and mountain musics, particularly songs with pietistic lyrics that have found a home in southern gospel, is understudied. For branding of the natural state, see Arkansas.com, Arkansas Department of Parks and Tourism, accessed October 15, 2013, http://www.arkansas.com. "Gospel," as Heilbut has noted, is "the favored term for what working-class black congregations [do,] often to the exclusion to white traditions." The Martins's success draws upon an Arkansas imaginary that features a racially unconflicted working-class identity as well as a constellation of musical associations, cultural affinities, and attitudes grounded in piety, rusticity, and close harmony. The Martins. Southern gospel has found itself in alliances with black gospel traditions and the black church. Directed by Bill Gaither. See also Other Works | Publicity Listings | Official Sites View agent, publicist, legal and company contact details on IMDbPro Getting Started | Contributor Zone Contribute to This Page Edit page Personal Details Joyce Martin is a well known gospel singer. tippy('#footnote_plugin_tooltip_1524_1_28', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_28').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Professional southern gospel emerged from a Reconstruction-era subculture of poor and working-class white southerners.
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